Shape and Expression of Design

Abstract

This research has special importance related to the study of factors and effects that prepare the designer to start the operation of building a nominal mental and imaginary. The researcher named it as: the design practical prepare movements, the needs, motive, strain, and what accompany them such as the feelings, realization, attention, intelligence, and the importance of all of these in performing and receiving, and how to transfer these ideas into effect the extent on a surface, in a shape or group of shapes that allow the designer to express his feelings or to make a close communication with the receiver. This research has its importance and needs to stop by the nature of creating shapes and factors that lead to the appearance of the shape, and the sources that feed and form the shape and the most important resource is the shadows (hard, soft, waved, integral surfaces), then the researcher approached to the parts of the shadow and divided them into two parts the first one is realistic, spent and include naturalist, objective, and objective engineering, and the second one is fake realistic which depend on unrealistic such as surrealism and beside that comes the identified). After that, the researcher moved between types of expression that were found and taken on consideration by the researcher and it was various and seriate as (Direct expression which include specific directed and general directed, and Indirect expression which include, indirect, subjective, double, compound, and visual-deceitful expression). Finally, the researcher moved to the technique and expression and approached to the importance of making a good choice of work that will be the bases of forming an artistic work. This choice should be a convenient for the modal reason and design functions besides the tools, work method, technique, and the relation between all of that and the main subject.